🎭 pip (
pipisafoat) wrote in
inkstains2010-09-01 11:04 am
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TnT: Varied Characterization
Congratulations again to
pippin for winning the 4th contest!
Your topic for the first Challenge Contest, Tear Down The Wall, will be open until 5 pm GMT Saturday - stretch yourself into something new in 500 words or less!
Don't forget about your assignments, editors, which can be found at this link along with a question for the community as a whole.
One of the greatest challenges for an author is to write believable characters who are from a variety of backgrounds and not just a cookie cutter of themselves, or of the self you wish you were. Depending on the story, this can mean characters of a different time period, geographic location, culture, socioeconomic background, race, gender, or even height and weight - you wouldn't believe the number of people who fail to take into account that a 4'9" character simply can't reach the spices over the stove without a stool or someone else's help.
Think about all the character-fails you've seen. Don't share them except in the most general of terms, and don't link them to any specific author, but rather think about what knowledge you have that the author didn't that made you recognize them as fails. Share that knowledge here to help other authors do it right next time! If there's a type of character you've not seen enough of in other people's works in general, let us know about their characteristics and how to present them believably and without offense.
As always, please remember to keep a respectful tone here, to authors who have been misinformed as well as other community members sharing their insights with you.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Your topic for the first Challenge Contest, Tear Down The Wall, will be open until 5 pm GMT Saturday - stretch yourself into something new in 500 words or less!
Don't forget about your assignments, editors, which can be found at this link along with a question for the community as a whole.
One of the greatest challenges for an author is to write believable characters who are from a variety of backgrounds and not just a cookie cutter of themselves, or of the self you wish you were. Depending on the story, this can mean characters of a different time period, geographic location, culture, socioeconomic background, race, gender, or even height and weight - you wouldn't believe the number of people who fail to take into account that a 4'9" character simply can't reach the spices over the stove without a stool or someone else's help.
Think about all the character-fails you've seen. Don't share them except in the most general of terms, and don't link them to any specific author, but rather think about what knowledge you have that the author didn't that made you recognize them as fails. Share that knowledge here to help other authors do it right next time! If there's a type of character you've not seen enough of in other people's works in general, let us know about their characteristics and how to present them believably and without offense.
As always, please remember to keep a respectful tone here, to authors who have been misinformed as well as other community members sharing their insights with you.
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(Nothin' against vegetarians or atheists. A lot against the bloke in question.)
(Oh, right, he was also the Manly Slaughterer with the 'pacifist' beliefs.)
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Note: The other thing that bothers me is not necessarily SFW and so will be posted on my personal journal and I will link in comment.
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This got a lot longer than I thought it was going to be, so fair warning. Also, very explicit and not safe for work.
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I'd really like to write about short, curvy women, but the fact that I AM a short, curvy woman makes me worry that people would dismiss it as a self-insert. Possibly I just need to get a little bit more backbone, but . . . these thoughts. They bother me.
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But, that means that she is me. She is an expert fighter. She has black voids in her sleeves so that she can bring whatever modern convience she wants into a non-modern world. She can speak several languages. She always gets to hop into bed with the cannon characters. Everyone loves her even though she has an abrasive, obnoxious personality. She turned evil at one point but was brought back to the side of good by her soulmate, a soulmate by the way that she can't stand to be in the same room with for longer than a few minutes and he feels the same about her. She always manages to save the day by herself. And to top it all off, because she's an author, anything she can't already do with her wide range of talents, she can write into existance. Oh, and she could do all of this by the age of seventeen.
That is what you want to worry about when avoid creating a Mary-Sue. lol. Now, the only reason all of that works is because by the very rules of the universe we created for these Author characters, there is just no way to avoid creating a Mary-Sue Kylynn also happens to be the comic relief in the stories, so eyah. Also, Ky is now twenty-five and has far more faults and limitations in her most recent incarnation than she did when I initially created her at seventeen.
Now, ways that I avoid creating Mary-Sue's now is two things. A set of gaming dice and http://www.springhole.net/quizzes/marysue.htm I use the dice to randomly choose the basics of a characters looks, talents, personality, etc. and then I check it on that quiz.
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I don't understand why people freak out and harp on about them so much. Is there some additional Sue menace I don't know of due to my original fiction privilege?
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And not to pick a fight, but those Sue quizzes? Suppose you're writing in a world where everyone has a magic power or gift. Wouldn't a character with a power then be ordinary? Or if everyone did have blue hair? It all depends on the context.
Self-inserts, though, are often very irritating. Especially when it's painfully obvious.
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It's kind of hard to describe how a person from a farming background thinks. I think part of it might be that a lot of characters don't seem to think about animals or take for granted that there will always be food there, semi-magically, and seem to be unaware of all the work that goes into producing it. I know that a lot of people consider food to be "boring" writing, but food is a major part of cultures and the lack thereof has prompted more than a few wars and rebellions.
I think another element of my discomfort is that so many stories have people escaping rural settings to urban ones (unless we're talking like English Renaissance drama), and that sets up this weird almost ideology where people who live in rural areas are backwards yokels and they go to cities to find enlightenment. Which I find pretty problematic, honestly.
I do feel strange being uncomfortable with the portrayal of rural people, because it's a non-issue for most of the US, and I don't think I've ever encountered anyone else who felt the same way.
The "surprise feminism" (or whatever social issue you want to insert there) that many characters in historical fiction show is disconcerting, too.
I think the only way to avoid either of those things is RESEARCH. Holy lots of research. Not just "factual" research (how do you make a sword?) but anthropological/sociological research (how was the sword regarded in this culture at this time?). The answer is probably going to be slightly more nuanced than IT WAS TOTALLY AWESOME!!! at least 99-percent of the time.
Specifically on the representation of rural areas in fiction, I think it might help to write fewer "farmboy becomes prince" stories, and maybe write more "farmgirl saves the day with hoe" or "wizard-farmer prevents war by growing super big sweet potato that feeds the nation" stories. OK, maybe not the last one. But there are a lot of aspects of culture that are neglected in fiction that are pretty rich with conflict and which don't require Idiot Villager #1 and Hayseed Yokel #4 to make happen.
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I sometimes have characters that are trans, and I code/mention those by discrepancies observed in their narration (I'm a very first-person narrator person) and the reaction of people around them. That's how I "show". I suppose for an ace it would be more subtle, and a lot more complex. Wonder how we could do it without outright telling...
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Sometimes tell works: I think it's a balance between show/tell. Too much of either, and it doesn't work. (I mean, imagine how big a book'd get!)
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Most browsers will let you increase the font size on the screen if you go to View. Somewhere under there it will say something like "zoom" or "increase font size".
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The most recent "popular" literature I've seen with Mary Sue Syndrome has had hit books and movies. I've read the books (they were my guilty pleasure), but the style and characterization had me cringing. It felt like a rabid fangirl rambling on and on about her most perfect and sparkly love interest. Also, the female protagonist was instantly adored by all (even though she saw nothing attractive about herself.) She worships her beau to the point of disastrous delusion and [in the end] saves the day with a mysterious power.
I feel like the author will one day realize her mistakes (there were some good ideas, I just think they were poorly executed) and retcon the entire series. Eventually it will be rewritten and said author will make tons more munnies.
*head desk*