Entry tags:
TnT: writing circles.
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tefnut and
draigwen! You move ahead to week 2. Everyone else, please feel free to play FLOG!
Thirdly, reminders: Week 2 Topic and Editing Post!
I've just moved to a new place and there's a local writing group recruiting.
Now, I know they say writing is a solitary art and most of us have taken to the internet to share our work (case in point: this community), but I've never been part of a group that meets up every week or so to discuss writing, and I've rarely met another writer in person. I have to admit I'm curious.
What do you think of these writing circles? Any stories to share?
Secondly, Congratulations to
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Thirdly, reminders: Week 2 Topic and Editing Post!
I've just moved to a new place and there's a local writing group recruiting.
Now, I know they say writing is a solitary art and most of us have taken to the internet to share our work (case in point: this community), but I've never been part of a group that meets up every week or so to discuss writing, and I've rarely met another writer in person. I have to admit I'm curious.
What do you think of these writing circles? Any stories to share?
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There was the tutor who'd claimed she loved all genre fiction, and welcomed genre fiction, and then when I presented a genre piece to the tute went "oh I don't know about genre, you'll have to find someone else to critique it, all I can say is I liked your use of italics" and the most pressing concern from my peers was that a lady character's underwear was not sexy enough, and then I went to one of the genre tutors, he told me it was terrible science fiction, even though it was actually fantasy-based.
There was the girl who couldn't figure out an ending to her story, and became annoyed when half of the tutorial started going "what if the old woman was a ghost?" "or the MC was a ghost!" "or a zombie!" "or a time-traveller!".
And, of course, the time that I mentioned a couple weeks ago, when after I had lambasted a girl's main character for being so obviously unsympathetic and cruel to her dying dog that the happy ending felt hollow and undeserved, I found out that it was an autobiographical piece, and she got really upset with me.
Then there was the time someone weaselled their way out of being critiqued because they were scared of me. Good times, good times.
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I told her that the village I came from had more horse ownership than indoor plumbing. And that travellors (gypsies) when rehoused in high rise flats in Ireland kept their horses on the grass outside. And what was wrong with writing for the middle class or children who'd love to have a pony if only they could afford one?
Not that I wanted to write stories about horses, I just didn't like being told I couldn't.
She also told her we shouldn't write stories about pigs because it might offend Moslems. I left it to a very intelligent Moslem and a Jewess to argue against that one.
I liked her though, she did have some good encouraging advice and her poetry was wonderful.
Another creative writing class, this time held by my local library and free, had a well known SF, and Fortunean Times writer, known as the Rollerskating Reverend. He encouraged us to write Occult and Sf stories. He used to boom so loudly (much like Brian Blessed) that we were removed from the downstairs room we had in the main part of the library as it was disturbing the readers. :) Then the library had our stories illustrated in woodcuts and vanity printed. Then presented by the Mayor of Cardiff at a posh ceremony on St David's day. Only problem was that the vanity printers had left out half the stories including mine while including the illustrations. We didn't find out until we opened our copies at the ceremony.
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The third one though, she was just so infuriating because she'd spent all that time saying she luuuurved genre fiction, read soooo much of it, and welcomed and encouraged people to write genre... And then when given a genre piece went "I don't do genre so I can't comment on this". Because characterisation and flow and stuff are done COMPLETELY differently in fantasy, right?
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I'd like to find such a group outside of a university in the future. The trouble there, as I hear (but have never experienced), is that there are all kinds of writers. Nothing against anyone, but in a group like that, it just works best if most everyone's on the same page. I'm not a novice at writing. I'm not a novice at critiquing. If you show up, hand me something you've written, and ask me to critique it full-blast, I'll do just that. Many novices can't handle it the way they thought they could, and that just ends badly for everyone. But if you get a group of more advanced writers - I'm not saying everyone has to be published, but this can't be the first short story you've ever written - everyone's on the same page, they've been through critiques before and know how to take it, know how to give it, know how to apply these critiques and bring back a more polished piece rather than saying "You're all wrong. This is perfect the way it is."
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Re: the critique thing, SO MUCH YES. I'm always so tough a critiquer, and when I found someone who appreciated me looking through their work, it came as a bit of a shock. But then, I find that some people just can't be told they're awful.
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I just looked up the nanowrimo site and it seems there's about six groups in Utah, with quite healthy numbers. would you like to check those out?